This is not “Good Shyamalan.” It is well below The Sixth Sense and not on par with Unbreakable and Split either. Instead, it’s a barely worthwhile attempt to extend the universe he created in its predecessors. But it’s interesting.
All in Reviews
Saturday Night Five (Out of Ten) - Vice
This is what stupid people think smart sounds like.
We Should Be Listening - If Beale Street Could Talk
Following up Best Picture winner Moonlight seemed like an unenviable task. Moonlight was utterly mesmerizing and had big things to say. If Beale Street Could Talk is equally mesmerizing and somehow has even bigger things to say.
Anyone Can Wear The Mask - Spider-Man: Into the Spider-Verse
It is one of the very best superhero movies you will ever see. It is one of the very best animated movies you will ever see. And it is one of the very best examples of what is possible within this medium if people slow down and focus on infusing their work with the right amounts of everything.
Lived In - Roma
He knew it all.
Almost Mine - The Favourite
It is raunchy, but smart; low-brow, but wry. It is truly unlike anything else you’ve seen lately.
Black and White - Green Book
On the surface, it looks like the sappiest of sap—a self-proclaimed balm that would show the path to solving racism. And while the movie itself isn’t much deeper than that, it is so superficially satisfying that it’s hard not to appreciate the charm.
Coulda Fooled Me - Nobody's Fool
The twists are stupid, the jokes don’t land and the love story isn’t one worth rooting for. A lot of talent was wasted on this laughably bad story and we are all worse for having seen it. But hopefully this review can save you from the regret of giving it a try.
Heist Done Right - Widows
The movie has star-power, drama and is about as well put together as anything you’re going to see this year and manages the rare feat of being a blockbuster worthy of critical praise. There truly might be something for everyone here and that is almost never the case.
Little Bohemian, Little Rhapsody - Bohemian Rhapsody
The best way to describe what’s going on on-screen is a series of well-produced music videos with reenacted Wikipedia entries interspersed. The end result is part cheesy, part fluffy, part glossy nonsense.
Maybe If You Weren't The Worst - Can You Ever Forgive Me?
It is not a surprise that a movie could be so technically strong and so emotionally weak. But what is a surprise is that everything that’s wrong with the movie was wrong before the cameras started rolling. That is what I can’t forgive.
To Old Friends - Halloween
Michael Myers remains the slow-walking, homicidal maniac that sparked a revolution in the genre and he is chasing down a teenage girl with a multi-generational spit. When it comes down to it, what more could you really want?
Divided We Laugh - The Oath
The Oath endeavors to present a credible but outlandish take on where we might be headed if politics keep unfolding the way they have recently. And while I’m not sure the end result is plausible, it’s certainly close enough to possible to be thought-provoking, original and genuinely funny. You will see us in this.
They Got There Eventually - First Man
The original footage of the moon landing is so primitive that seeing this version is jarring and incredible. But it took us almost as long to get to that as it did in real life. The first hour and a half is spent with our feet firmly planted on the Earth and therein lies the problem.
Black+White - The Hate U Give
This is not a bad movie. It is a good one with lots of bad elements mixed in very proudly.
Introducing Stephanie G. - A Star Is Born
The first half is a magical ride to stardom on the back of charm and earnestness. The second half is the juxtaposition of spirals upward and downward that both feel unsatisfying. The end result is a movie that is likely to divide, but unlikely to be forgotten.
Her and Only Her - The Wife
Its revelations are telegraphed like rushed passes from a bad high school quarterback, but it somehow still manages to entertain. That it does so is a testament only to Glenn Close’s talents. Everyone else deserves major side-eye for expecting us to buy that this is their best effort.
One In Particular - Support The Girls
While the movie has its peaks, it functions more as a showcase of what Hall is capable of than some masterfully told story.
When You Don't Know What You Don't Know - Searching
This is not the first time we have seen this technique, of course, as the Unfriended franchise relies on the same method. The difference here is that it never feels like a gimmick.
Nothing There - Slender Man
There is no story here. There are no scares here. There is nothing but the slender outline of a wasted 93 minutes.