Everyone's work here is truly objectionable. If there were sanctions that could be given for poor filmmaking, this movie would deserve all of them.
I, TONYA comes together in an almost manic fashion, with changes in tone, time and perspective. It was adapted, at least in part, from interviews with the characters involved and thus ducks in and out of crisscrossing, and even conflicting, anecdotes. The end result is as dizzying a triple axel and as sharp of the blades it rests on.
Absentee fathers, career expectations, racial identity. It is par for the course for Pixar to include themes that reach adults, but these are all tackled in a way that feels accessible to kids as well. In a way only Pixar can, they somehow seem to speak on multiple levels with each scene.